Showing posts with label Love Stories. Show all posts
Showing posts with label Love Stories. Show all posts

Thursday, August 11, 2016

Castle Ugly: A Love Story by Mary Ellin Barrett

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Title: Castle Ugly

Author: Mary Ellin Barrett

Storyline: By all accounts this melodrama, Castle Ugly, is a good read.  Writers are advised to write what they know, and it seems, Mary Ellin Barrett did.  This is a tale of high strung mid-century artistic people vacationing on the tip of Long Island with their coterie of jaded and successful friends.  Mary Ellin tells it from the standpoint of a now adult family member, living in Europe,  and looking back on her childhood view of the events.  The novel probably doesn’t fall far from the author’s real experience as the daughter of a world-famous American composer, Irving Berlin.  The characters are all smart, bored, given to winding each other up, and getting involved with the wrong person.  But with all their smarts, they never seem to learn from their experience, even after karma catches up with them in the form of an epic hurricane!  The book jacket says this story is somewhere between the world of F. Scott Fitzgerald and la dolce vita depicted in that era’s art house cinema.  Want to know what it was like to be too smart, too talented, and too successful with too much time on your hands?  Read on!

Copyright: 1966; Book Club Edition

Publisher:  E. P. Dutton & Co., Inc.

Format:  Cloth-bound hardcover

Page Count:  218


Author Biography:

Barrett, Mary Ellin (b.1926–) is the eldest daughter of famed American composer Irving Berlin (who can forget “I’m Dreaming of a White Christmas”?), and Ellin Mackay.  Despite her mom and dad having an unusual for the time May-December marriage blending their Jewish and Irish backgrounds, she had a typical well-to-do upbringing New York City where she attended The Brearly prepschool on the upper east side, and then went on to Barnard College.  Her mother, Ellin, was a novelist, short story writer, and contributor to the New Yorker Magazine.  Following in her mother’s footsteps by becoming a writer, Mary Ellin published three novels, a memoir of life with her father, and was the book critic for Helen Gurley Brown’s racy Cosmopolitan women’s magazine. (Thank you to Wiki, The New York Times, and IMDb)

Works Include: Castle Ugly (1966), An Accident of Love (1973), American Beauty (1981), and  Irving Berlin: a Daughter's Memoir (1995).

Tuesday, August 9, 2016

Private Duty by Faith Baldwin. Nurse's love x 3!

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Title:  Private Duty

Author:  Faith Baldwin

Storyline:  The heroine of our story, newly-minted registered nurse Carolyn Cutler, has a big problem on her hands---she wants to marry three guys!  Forget conflict of interest, Carolyn is telling herself she should tie the knot with her invalid house-bound boss, for whom she is a private duty nurse, because she feels sorry for him and loves his tender-aged son.  She also loves a surgeon at the hospital where she trained.  But does she love the doctor or just the idea of being married to one? But wait, there’s more!  Carolyn is also infatuated with a young ne’er-do-well whose claim to fame is racking up beach of promise suits because he proposes to everything in a skirt.  Apparently, the answer to these dilemmas comes to her in the midst of that frequent and much feared 1930s scourge: a labor riot!  Can’t make this stuff up, but author Faith Baldwin certainly could. Enjoy!

Copyright: 1935; this edition published March, 1941

Publisher:  Triangle Books

Format:  Cloth-bound hardcover

Page Count:  338

Author Biography:

Baldwin, Faith (b.1893–d.1978)  Faith Baldwin was a prolific writer of women’s fiction, having penned 85 books and stories.  When she died of a heart attack in 1978, she was still working, and was deemed the “doyenne of American light fiction writers” in her New York Times obituary. Some of her works were adapted into film screenplays during the golden age of Hollywood.  She also achieved fame for her advice column in the now defunct women’s magazine, Women’s Day, entitled “The Open Door,” named for an inviting door out to her garden.  Unfortunately, Faith was also slightly infamous for being party to a marketing scam of sorts.  She, and a number of other popular writers in the mid-1960s, were in the headlines for selling correspondence courses to aspiring writers. The advertising for the courses misled her customers to believe that their work would be personally reviewed by these famous writers.  An astute marketer nonetheless, having made millions on her books, rehabilitating her reputation and showing that she did care about the lowly reader may have figured into her decision to keep an extended correspondence with a young lonely girl, Kristen Houghton, who grew up to be an author of chick lit herself.  Faith, as it turns out, has achieved internet immortality on quotation websites for her pearls of wisdom such as: “Time is a dressmaker specializing in alterations” or “Character builds slowly, but it can be torn down with incredible swiftness.” (Thank you to Wiki, Kristen’s Blog in the Huffington Post about Faith, and quotation websites everywhere!)

Works Include: Mavis of Green Hill (1921), Those Difficult Years (1925). Laurel of Stonystream (1923), Magic and Mary Rose (1924), Sign Posts (1924) Poems, Thresholds (1925), Three Women (1926), Departing Wings (1927), Alimony (1928), Betty (1928), Rosalie’s Career (1928), Broadway Interlude(1929) (with Achmed Abdullah), Garden Oats (1929), Incredible Year (1929), Broadway Sensation(1930) (with Achmed Abdullah), Judy: A Story of Divine Corners (1930), Make-Believe (1930), The Office Wife (1929), Babs, A Story of Devine Corners (1931), Mary Lou, A Story of Divine Corners (1931), Skyscraper (1931), Today’s Virtue (1931), District Nurse (1932), Girl On the Make (1932)(with Achmed Abdullah), Myra, A story of Divine Corners (1932), Self-Made Woman (1932), Weekend Marriage (1932), Beauty (1933), Love’s a Puzzle (1933), White Collar Girl (1933), American Family (1934), Honor Bound (1934), Innocent Bystander(1934), Within A Year (1934), Wife vs. Secretary (1935), The Puritan Strain (1935), Men Are Such Fools! (1936), The Moon's Our Home (1936), Private Duty (1936), Heart Has Wings (1937), Manhattan Nights (1937), That Man Is Mine (1937), Twenty-Four Hours a Day (1937), Enchanted Oasis(1938), Hotel Hostess (1938), Rich Girl, Poor Girl (1938), Comet Over Broadway (1938), Career By Proxy (1939), High Road (1939), Station Wagon Set (1939), White Magic (1939), Arizona Star (1940), Letty and the Law (1940), Medical Center (1940), Rehearsal for Love (1940), Something Special (1940), And New Stars Burn (1941), Heart Remembers (1941), Temporary Address: Reno (1941), Blue Horizons (1942), Breath of Life (1942), Rest of My Life With You(1942), Washington USA (1943), You Can't Escape (1943), Change of Heart (1944), He Married a Doctor (1944), A Job for Jenny (1945), No Private Heaven (1946), Woman on Her Way (1946), Give Love the Air (1947), Sleeping Beauty (1947), An Apartment for Peggy (1948), Marry for Money (1948), Golden Shoestring(1949), For Richer, For Poorer (1949), Look Out for Liza (1950), Tell Me My Heart (1950), The Whole Armour( 1951), Juniper Tree (1952), Widow’s Walk, Variations on a Theme (1954) Poems, Face Towards the Spring (1956), Many Windows: Seasons of the Heart (1958), Three Faces of Love(1958), Blaze of sunlight (1960), Testament of Trust (1960), Harvest of Hope (1962), The West Wind (1963), Living By Faith (1964), Lonely Man (1964), The Lonely Doctor (1964), Search For Tomorrow (1966) Novelization of TV Soap Opera, Evening Star (1966), There Is a Season (1966), Velvet Hammer (1969), Take What You Want (1971), Any Village (1972), One More Time (1972), No Bed of Roses (1973), New Girl in Town (1975), Time and the Hour (1975), Hold on to Your Heart (1976), Thursday's Child (1976), Adam's Eden (1977).

Wednesday, February 23, 2011

What Do Women Really Want? It's All There in Popular Romance Novels

It is impossible to ignore the volume of romance novels published every year. They make up almost half of all hard-copy books printed, and are re-issued in over 25 languages. Grand Damme of the romance writing industry, Danielle Steel, has her name on an incredible 100 million copies.

So what is it about these stories that so captivate their readers? Most obviously, the books are about women. Our dusty English literary cannon is the domain of male protagonists. If a girl wants to read about other girls, then look no further than the romance shelf in the drug store or at Barnes and Noble. Even so-called feminist novels can't satisfy us. Like regular novels, what happens to women in them is often depressing. Not exactly a wonderful way to escape day to day doldrums.

Which brings up another important point - romance novels don't disappoint. Especially with love. The girl gets her guy in the end. Granted she will have to solve some problems on the way, like clearing up the inevitable relationship misunderstandings, kick the current BF to the curb, or straightening out her prince before she disappears into the sunset with him. But half the fun of the story is seeing her get there.

The women in the stories also have it going on. They travel to exotic places and have adventures. They work at interesting jobs while they're waiting for "Mr. Right." Often the love of their lives will be in the well-to-do or leisure class, which will liberate our heroine from drudgery or economic woes forever!

Last, but not least, the men in the stories are wonderful. They're hunky, and they aren't out for just one thing. Romance and sex are not fraught with danger and nasty transmittable diseases. In short, the guys are interesting, and not the dull heteros we typically encounter in real life.

When we bury our noses in those pages, everyone knows to stay clear. We are in the zone (even if we're reading on the subway), and doing something just for ourselves. Occasionally, we may even trade reviews with a fellow reader from the romance novel fan community. If we see someone with a cover we recognize, there is an instant bond, and we say something like, "That was a really good one" or "If you like X, you should definitely read Y!"


(Reference) Busting Textual Bodices: Gender, Reading, and the Popular Romance. Carol Ricker-Wilson. The English Journal. Vol. 88, No. 3, Jan., 1999.